skip navigation
Overview for Emile LaVigne
Emile LaVigne

Emile LaVigne



TCM Messageboards
Post your comments here


TCM Archive Materials VIEW ALL ARCHIVES (0)

Recent DVDs

West Side... Blu-ray/DVD Combo. 50th Anniversary. The Greatest Love Story Ever Told... In the... more info $7.95was $14.99 Buy Now

Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Make-Up ...


Make-Up (feature film)

Defiance (1980)
Tommy moves into temporary housing in a New York neighborhood that is terrorized by a gang called the Souls. While waiting for his next assignment at sea, Tommy tries keep to himself, but eventually he's forced to engage with his neighbors and the gang. By standing up to the gang, he manages to chan
Last Married Couple In America, The (1979)
Mari and Jeff Thompson are happily married, until the experience of seeing all of their friends divorcing makes them obsessive about keeping their marriage together. This new insecurity about the stability of their union is made worse when they meet Barbara and Jeff finds himself attracted to her. A
Lost And Found (1979) as Makeup
A widowed U.S. professor and a British divorcee spoil their French affair by marrying.
Comes A Horseman (1978)
Rival ranchers battle over oil rights.
Who Is Killing the Great Chefs of Europe? (1978) as Makeup (George Segal)
Mystery abounds when it is discovered that, one by one, the greatest Chefs in Europe are being killed. The intriguing part of the murders is that each chef is killed in the same manner that their own special dish is prepared in. Food critics and the (many) self-proclaimed greatest Chefs in Europe demand the mystery be solved.
Murder at the World Series (1977)
A troubled young man, bent on avenging the Houston Astro baseball team's rejection of him, plots a bizarre kidnapping during the final two games of the World Series in Houston and places the lives of five innocent women in jeopardy.
Rollercoaster (1977) as Makeup
A terrorist spreads a climate of fear by attacking amusement parks across the U.S.
Great Houdinis, The (1976)
A biographical dramatization of the life and times of the world-renowned illusionist and escape artist whose glittering career masked a deep obsession with the occult, culminated by a vow that he would one day speak from the beyond, a promise he made to his wife on his deathbed in 1926. Ruth Gordon
Iceman Cometh, The (1973)
It's 1912 and the patron's of 'The Last Chance Saloon' have gathered for their evening of whiskey to contemplate their lost faith and dreams, when Hickey (Lee Marvin) arrives. Hickey is out to convince everyone that he can help them all find peace of mind by ridding them of the foolish dreams and by bringing them back to reality. Hickey is working especially hard on Larry Slade (Robert Ryan) a former anarchist who has lost his will for life and is awaiting the eventuality of death. Larry is not affected by the cajolings of Hickey but his young companion Parritt (Jeff Bridges) is strangely affected and this leads to revelations about his own mother and feelings of betrayal and loss. As the night wears on the mood changes as everyone has the their faith and dreams slowly destroyed by Hickey. As the anger builds everyone turns on Hickey about his wife and the iceman. This leads to more revelations and with Hickey having the faint questioning of his own new found convictions.
Eyes of Charles Sand, The (1972)
A young man inherits the ability to see visions from beyond the grave after his uncle's sudden death and is persuaded to investigate a girl's story about her brother's alleged murder. Although no music score is credited because of a composer's strike against TV film packagers at the time, Henry Manc
Prime Cut (1972) as Makeup
A Chicago mob enforcer is sent to Kansas City to settle a debt with a cattle rancher who not only grinds his enemies into sausage, but sells women as sex slaves.
Family Rico (1972)
A drama about underworld pressures on a crime syndicate chief, played by Gazzara, who is torn between his love for a younger brother who defects and his own loyalty to the organization. The 1957 theatrical version of the story, "The Brothers Rico," starred Richard Conte and Kathryn Grant, who had ju
The Cowboys (1972) as Makeup
When his crew quits, a veteran cattleman trains schoolboys for the big drive.
The Sporting Club (1971) as Makeup
James Quinn and iconoclastic Vernor Stanton are lifelong friends who live in the upper-class of Michigan society. In his on-going attempt to destabilize the exclusive summer sporting club to which they both belong, Vernor is continually dragging James into various misadventures.
Le Mans (1971) as Makeup
During a deadly endurance race, a driver faces the trauma of a past accident.
Monte Walsh (1970) as Makeup
An aging cowboy faces changes in the West with the rise of civilization.
The Reivers (1969) as Makeup
A young man comes of age when he stows away in his grandfather''''s stolen car.
Where It's At (1969) as Makeup
A Vegas casino owner teaches his son the gambling business.
Bullitt (1968) as Makeup
When mobsters kill the witness he was assigned to protect, a dedicated policeman investigates the case on his own.
With Six You Get Eggroll (1968) as Makeup
A widow and a widower have to contend with hostile children when they fall in love.
Waterhole #3 (1967) as Makeup
Some renegade Army men steal a cachet of gold and hide it in the desert for later use until a lone cowboy gets wind of it and wants it for himself.
The President's Analyst (1967) as Makeup Artist
A psychiatrist treating the president becomes a pawn in international espionage.
Hawaii (1966) as Makeup
Missionaries to the Hawaiian Islands fight nature, disease and their own passions.
The Satan Bug (1965) as Makeup
A mad millionaire bribes a scientist to steal a deadly virus.
The Loved One (1965) as Makeup Supervisor
An Englishman in Hollywood moves into the funeral business.
Kiss Me, Stupid (1964) as Makeup
A small-town songwriter tries to sell his work to a stranded singing star.
Kings of the Sun (1963) as Makeup
A Mayan tribe emigrates northward but has to fight off Native Americans.
The Great Escape (1963) as Makeup
Thrown together by the Germans, a group of captive Allied troublemakers plot a daring escape.
Irma La Douce (1963) as Makeup
A Parisian policeman gives up everything for the love of a free-living prostitute.
Forty Pounds of Trouble (1963) as Makeup
Taras Bulba (1962) as Makeup
A cossack leader clashes with his rebellious son.
20,000 Eyes (1961) as Makeup
The Children's Hour (1961) as Makeup
A malicious student tries to destroy the teachers at a girls' school.
West Side Story (1961) as Makeup
A young couple from dueling street gangs falls in love.
Guns of the Timberland (1960) as Makeup
A lumberjack battles a group of ranchers over the rights to a nearby forest.
Raymie (1960) as Makeup Artist
Raymie (David Ladd), an eight-year-old boy and an avid fisherman, dreams of catching a legendary giant barracuda know as Old Moe. When he finally accomplishes the feat of landing Old Moe, he has a change of heart and doesn't want to see the barracuda destroyed.
The Atomic Submarine (1960) as Makeup
In the far and distant future of 1968, many ships and planes are crossing the North pole to transport passengers and cargo. However lately more than eight ships and seven submarines have vanished mysteriously. The Tigershark is sent out to investigate their whereabouts and - if possible - remove the cause of their disappearance. But the life form Commander Vandover and his crew encounter may be too powerful even for their weapons of newest technology...
All the Young Men (1960) as Mr. Ladd's makeup
A black sergeant is forced to take command when his lieutenant is killed during the Korean War.
The Magnificent Seven (1960) as Makeup
Seven American gunmen hire themselves out to protect a Mexican village from bandits.
The Plunderers (1960) as Makeup Artist
Four young cowboys, Jeb (Ray Stricklyn), Rondo (John Saxon), Mule (Roger Torrey) and Davy (Dee Pollock) ride into Trail City, Texas figuring on taking over for a while. Rancher Sam Christy (Jeff Chandler), with a paralyzed right arm refuses to get involved against them, and Kate Miller (Marsha Hunt) calls him a coward. When Jeb kills the timid Sheriff McCauley (Jay C. Flippen), Sam goes to his ranch to get his gun. The boys are waiting for him there, and Ellie Walters (Dolores Hart)goes to his ranch and finds him badly beaten up by Mule. The young Davy, shocked by the killing of the sheriff, quarrels with Jeb. He goes off alone and Sam captures him. Rondo, tries to force his attentions on Ellie, who shoots him when he draws a knife on Sam. The latter kills Mule in a knife fight, and Jeb bursts out of the saloon with two guns blazing. Sam shoots and kills him. The townsmen are for hanging Davy but Sam, realizing the young boy was the victim of a situation he didn't know how to handle---and one that the town should have never let develop---tells him to just go home. Sam and Ella watch as the boy rides slowly out of town.
The Hypnotic Eye (1960) as Makeup Artist
A city is stricken by a wave of self-mutilations performed by beautiful women who appear to be in a hypnotic trance.
The Gunfight at Dodge City (1959) as Makeup Artist
Bat Masterson fights to clean up Dodge City.
The Rebel Set (1959) as Makeup Artist
The Man in the Net (1959) as Makeup Artist
An artist falsely accused of ransacking his own house is proved innocent by the children of the neighborhood.
Some Like It Hot (1959) as Makeup Artist
Two musicians on the run from gangsters masquerade as members of an all-girl band.
Cole Younger, Gunfighter (1958) as Makeup Artist
A young man in trouble with the Texas state police during the 1870''s is forced to go on the lam, joining a gang with an infamous outlaw.
Joy Ride (1958) as Makeup
Paul (Rad Fulton) and three other punks, Arnie (Nicholas King), Vince (Robert Levin) and Dirk (Jim Bridges), are admiring a parked sports car and intending to take it for a joy ride, when they are surprised by its owner, Miles (Regis Toomey) who orders them away and is met with a barrage of fifthy names. A few nights later they break into Miles' garage and he catches them and threatens to call the police. Paul tells him they want the car for a ride and they will have it sooner or later. The young hoods then launch a campaign of terror against Miles and his wife (Ann Doran). Paul realizes he has more pleasure in frightening Miles than in trying to get the car, and one day they force their way into the Miles home and brutally attack Mrs. Miles after she refuses to produce the car keys. Now thinking that Miles is in his power, Paul meets him to take delivery of the car. When Paul steps into the car, Miles pulls a gun and orders him to drive out of town at a breakneck speed. The more frightened Paul becomes, the more dangerously Miles makes him drive, until finally, in tears, Paul begs to be allowed to stop his "joy ride." Miles directs him to pull up in front of the police station and Paul's arrest is followed by that of the other three boys.
Fort Massacre (1958) as Makeup Artist
A possibly mad cavalry commander leads his troops through dangerous Indian territory.
In the Money (1958) as Makeup Artist
The Bowery Boys escort a diamond concealing poodle on a cruise.
Queen of Outer Space (1958) as Makeup Artist
A space mission to Venus discovers a society of Amazons.
Hell's Five Hours (1958) as Makeup
The Beast of Budapest (1958) as Makeup Artist
Man of the West (1958) as Makeup Artist
A reformed outlaw is among the hostages when his former colleagues rob a train.
Man from God's Country (1958) as Makeup Artist
George Montgomery, Randy Stuart, Gregg Barton, Kim Charney, Susan Cummings. A retired sheriff and his former partner find themselves on opposite sides of the law when local ranchers feud over valuable railroad property.
Badlands of Montana (1957) as Makeup
Spook Chasers (1957) as Makeup Artist
The Bowery Boys go after crooks hiding in a haunted house.
The Tall Stranger (1957) as Makeup Artist
When rustlers leave him for dead, a Westerner throws in his lot with the wagon train whose inhabitants have rescued him.
My Gun Is Quick (1957) as Makeup
Detective Mike Hammer''''s investigation of a murder puts him in the middle between warring jewel thieves.
Chain of Evidence (1957) as Makeup Artist
Gun Battle at Monterey (1957) as Makeup Artist
An outlaw saved by a Mexican girl hunts the holdup partner who shot him in the back.
The Oklahoman (1957) as Makeup Artist
A Western doctor stands between Natives and a ruthless oil baron.
Death in Small Doses (1957) as Makeup Artist
A government agent tries to stop the illegal use of amphetamines by truck drivers.
The Disembodied (1957) as Makeup Artist
African explorers discover a voodoo cult in the heart of the jungle.
Hold That Hypnotist (1957) as Makeup Artist
Hypnotism sends the Bowery Boys to battle pirates in the 17th century.
Looking for Danger (1957) as Makeup Artist
The Bowery Boys'' leader recalls his days as a World War II spy in Arabia.
Footsteps in the Night (1957) as Makeup Artist
The fifth and last of the Ben Schwab productions starring Bill Elliott as a L.A. sheriff's department detective begins with Henry Johnson (Douglas Dick) being sought by the sheriff's office for the murder of his neighbor and friend,Fred Horner (Robert Shayne), whose strangled body was found in Johnson's motel apartement. Lieutenant Andy Doyle (Bill Elliott) of the Los Angeles sheriff's department learns that Johnson had been an avid card-playing gambler, and had frequently argued violently with the deceased. Trailing Johnson's fiancee, Mary Raikin (Eleanore Tanin), the police capture Johnson, who insists he did not kill Horner, but fled in panic when he discovered Johnson's body in his room after an absence of only a few minutes. It is discovered that a wealthy tenant of an adjacent motel, Bradbury (James Flavin), bears a resemblence to the murdered man, and in order to set him up as a decoy, Doyle suggests the Bradbury spread the word he is leaving for his home the next day. That night, the real killer,Pat Orvello (Gregg Palmer), sneaks into Bradbury's room to rob him, but is shot and captured by Doyle and his men. Earlier, the robber/killer had mistaken the neighboring motels, killed the wrong man in his robbery attempt, and had left the body in Johnson's room.
Dino (1957) as Makeup Artist
Up In Smoke (1957) as Makeup Artist
The Bowery Boys'''' leader sells his soul to the devil for help betting on the horses.
Last of the Bad Men (1957) as Makeup Artist
Hot Shots (1956) as Makeup Artist
The Bowery Boys get jobs as sitters for a temperamental child star.
Fighting Trouble (1956) as Makeup Artist
The Bowery Boys try to make their name as crime photographers.
Friendly Persuasion (1956) as Makeup Artist
A peaceful Quaker family's sanctity is tested during the Civil War.
Dig That Uranium (1956) as Makeup
The Bowery Boys battle crooks for control of a uranium mind out West.
Hold Back the Night (1956) as Makeup
Three for Jamie Dawn (1956) as Makeup
The First Texan (1956) as Makeup Artist
After arriving in Texas to escape a scandal back east, a lawyer becomes involved in the independence of Texas.
The Young Guns (1956) as Makeup
A disaffected youth falls in with the wrong crowd back in 1897.
World Without End (1956) as Makeup
Astronauts returning from a voyage are caught in a time warp and are propelled into a post-Apocalyptic Earth populated by mutants.
Invasion of the Body Snatchers (1956) as Makeup
Soulless pods take over the inhabitants of a small California town.
Calling Homicide (1956) as Makeup Artist
The third of five films (Dial Red-O, Sudden Danger, Calling Homicide, Footsteps in the Night and Chain of Evidence in release order and released across a full period of two years) in which Bill Elliott played a detective lieutenant (Andy Flynn in the first one, Doyle in the others) in the Los Angeles homicide department) with all five produced by Ben Schwab but a different director on each one. Lieutenant Andy Doyle (Bill Elliott) of the Los Angeles Sheriff;s homicide department, while investigation the mysterious dynamiting death of a young policeman, discovers that the strangling-murder of Francine Norman, owner of a modeling school, is linked with the firsy killing. While questioning those connected with the school, manager Darlene Adams (Jeanne Cooper), and executives Allen Gilmore (Thomas B. Henry) and Tony Fuller (Lyle Talbot), Lt. Doyle and his aide, Detective Sergeant Mike Duncan (Don Haggerty), find there is a blackmailing "baby racket" being run in conjunction with the school. Suspicion points to construction company owner Jim Haddix (Myron Healey) who had been in love with Francine. All evidence of the baby extortion racket is destroyed by an explosion, and the hunt narrows down to one man, the school handyman.
Canyon River (1956) as Makeup
A Wyoming rancher and his foreman┬┐s cattle drive journey to Oregon.
Navy Wife (1956) as Makeup
Pearl of the South Pacific (1955) as Makeup Artist
Two beachcombers with a yacht join woman-with-a-past Rita on a quest for black pearls on a secret island. Arrived, they find another white man has made himself high priest; but George, the latter's handome son, is fair game for Rita, who lands in the guise of a missionary! The inevitable conflict over the pearls brings violence and corruption to the quiet island.
Land of the Pharaohs (1955) as Makeup Artist
A scheming seductress plots to make herself queen of Egypt.
Bobby Ware Is Missing (1955) as Makeup Artist
Jail Busters (1955) as Makeup
The Bowery Boys help a reporter who was beaten up during an undercover investigation at a local prison.
At Gunpoint (1955) as Makeup Artist
The Charge at Feather River (1953) as Makeup
A platoon of army misfits tries to rescue two women kidnapped by Indians.
She's Back on Broadway (1953) as Makeup
A fading Hollywood star returns to the stage to work with the man who discovered her.
About Face (1952) as Makeup
Two military school cadets discover their best friend is married.
One Way Street (1950) as Makeup
Saddle Tramp (1950) as Makeup
Carefree Chuck Connor is on his way west and stops off to see an old friend and his four lads. When his host is killed in a riding accident Chuck realises he must take care of the family. They hit the road and he takes a job on a ranch, but he has to keep the children hidden as his boss hates kids. There's also tension with the neighbouring ranch, and when a girl on the run from her nasty uncle joins the family unannounced Chuck wonders what he has done to deserve all this.
Bagdad (1949) as Makeup
An Arabian princess tries to bring her father''''s killers to justice.
Take One False Step (1949) as Makeup
Prof. Andrew Gentling, in Los Angeles to help found a new college, is inveigled by old flame Catherine Sykes into a midnight drive. Next day Catherine is missing, believed killed; friend Martha convinces Andrew that he's a prime suspect and should investigate before he's arrested. But this only puts Andrew in a more deadly kind of danger.
Sword in the Desert (1949) as Makeup
After smuggling Jewish refugees into pre-Israel Palestine, a freighter captain becomes embroiled in the conflict.
City Across the River (1949) as Makeup
Brooklyn youth Frank Cusack, good son and brother by day, is a gang member by night. The Dukes, seemingly likable dead-end-kids, are dangerously involved with racketeer Gaggsy Steens. Despite the efforts of Franks's parents, he and pal Benny get involved in a serious crime. Can Stan Albert, head of the community center, prevent them from becoming full-time crooks?
Abandoned (1949) as Makeup
Manhandled (1949) as Makeup Artist
A phony psychiatrist''''s secretary gets caught up in a murder case.
The Dude Goes West (1948) as Makeup
A tenderfoot tries to help a miner's daughter protect her claim.
Fort Apache (1948) as Makeup
An experienced cavalry officer tries to keep his new, by-the-books commander from triggering an Indian war.

Please support TCMDB by adding to this information.

Click here to contribute