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Overview for Haldane Douglas
Haldane Douglas

Haldane Douglas

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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Art Director ...
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COMPLETE FILMOGRAPHY WITH SYNOPSIS

Art Director (feature film)

1.
Easy Come, Easy Go (1947) as Art Director
A film that possibly held the record for the most Irish-descent players in an American-produced movie before "The Quiet Man" was shot on location in Ireland, and that includes "The Informer." Barry Fitzgerald is a rapid fan of following the ponies (but none too good at picking the winners)and owns a shabby boarding house east of NYC's Third Avenue. Mostly, he never works, follows his hunches, philosphizes through most of the 77 minutes and changes the life course for most of those around him. His dependence upon his daughter (Diana Lynn) keeps him interfering with her romance with a returning WW II sailor (Sonny Tufts, just before Paramount finally gave up on him.) And he will stretch the truth beyond accepted boundaries. Fitzgerald's real-life brother Arthur Sheilds plays his brother who he has built up to be a rich man, but who is really a diver working for the police department. Could have been a ten if there had been a leprechaun or two or Pat O'Brien in the cast.
2.
Wild Harvest (1947) as Art Director
Joe is the head of an itinerant combine crew, working the harvests against rival crew boss Alperson. Joe's buddy Jim joins the crew with startup money. Farmer's niece Fay falls for Joe. He puts her off. To get back she marries Jim whom she prods into high-grading the grain (skimming off some for private sale). The last payment on Joe's machinery is due just as he discover's what his buddy has been doing.
3.
Our Hearts Were Growing Up (1946) as Art Director
Cornelia and Emily, at college in the early 1920s, have triangle trouble with their beaus. Their affairs become entangled with those of a chance-met, kindly bootlegger. Much of the humor derives from pre-Roaring Twenties naivity.
4.
O.S.S. (1946) as Art Director
John Martin is part of an American spy team dropped into France during World War II to destroy the French railway system. After successfully blowing up a tunnel he runs back to save Ellen and is told "Never come back for me again." Later he must choose whether or not to obey her wishes.
5.
Out of This World (1945) as Art Director
After struggling to become a success, Betty Miller and her all-girl orchestra finally hit pay dirt when crooner Herbie Fenton comes on board. Problems arise when Betty and her girls try to find backers to invest in Herbie and they sell 125 percent of him.
6.
Salty O'Rourke (1945) as Art Director
Salty owes money to Doc Baxter; he and his pal Smitty have one month to pay up. They get a race horse and a disbarred jockey, Johnny Cates, who must fake his identity to race. Johnny and Salty both fall in love with Barbara Brooks and, to get even, Johnny considers throwing the horserace.
7.
Rainbow Island (1944) as Art Director
A girl is raised as a native while living on a tropical island.
8.
Hail the Conquering Hero (1944) as Art Director
A group of veterans help a small-town fraud convince his family he was a war hero.
9.
Lady Bodyguard (1943) as Art Director
A.C.Baker (Anne Shirley), advertising executive for an insurance company, approaches test pilot Terry Moore (Eddie Albert) with a proposition that in return for using his picture and endorsement he will get a paid-for-a-year $1000 policy. High-risk Terry agrees. George MacAlister (Roger Pryor) fires his secretary, Miss Tracy (Mary Treen), just as she is typing up the policy and she, for spite, changes the amount from a thousand dollars to one million dollars. A.C. delivers the policy, without noticing the difference, to Terry at a party at the Frolics Club, a cheap joint wedged between a burlesque house and a flop house hotel. Three characters, an elderly hat-check "girl" known as Mother Hodges (Maude Eburne); Avery Jamieson (Raymond Walburn), a broken-down actor; and bartender Harry Gargan (Edward Brophy) are named beneficiaries. When the company discovers the error, A.C. is sent to get back the policy and, pending that, don't let Terry make any test flights.
10.
For Whom the Bell Tolls (1943) as Art Director
A U.S. mercenary and an army of peasants fight for Spain.
11.
Henry Aldrich Haunts a House (1943) as Art Director
12.
Salute for Three (1943) as Art Director
Press agent Jimmy Gates (Marty May) gets an idea while watching a New York parade, for a returned war hero Sergeant Buzz McAllister (Macdonald Carey), with his chief client, singer Judy Ames (Betty Rhodes); Dona Drake (Dona Drake), leader of an all-girl orchestra; his photographer Foggy (Cliff Edwards), and his secretary Myrt (Minna Gombell). Jimmy, thinking Judy needs publicity in order to get a singing job on a radio program, thinks that a romance between her and the war hero would be just the ticket. Judy isn't too warm on the idea but agrees to go ahead for Jimmy's sake, with whom she thinks she is in love. She agrees to work on Buzz that night at the Manhattan Canteen, a converted night club where show business people entertain and wait on service men. Foggy is assigned to get pictures of Judy and Buzz together but fails through ineptness. Buzz escorts Judy home in a rainstorm and, while helping her out of the taxi, slips and falls into a deep puddle. Judy asks him to come in so she can dry his soaking-wet uniform on the kitchen stove. Foggy gains entrance to the apartment via the dumbwaiter and snaps a picture of Buzz in his underwear. The next morning Buzz tells Jimmy that he intends to marry Judy, which is going further than he had intended. He also decides he can't use the compromising - but innocent - photo for publicity purposes but does announce their - he thinks - publicity-only engagement. That clinches the deal for Judy to get a radio program called "The Girl I Left Behind." Buzz proposes to Judy, who realizes she loves Buzz and not Jimmy, and they, not knowing that Jimmy has announced their "engagement", decide to keep it a secret.
13.
The Good Fellows (1943) as Art Director
The title of Grand Caesar in the Ancient Order of Noblest Romans of Wakefield, Indiana keeps Jim "Pop" Helton (Cecil Kellaway) so involved and distracted that he forgets to pay the family's bills, nearly makes a shambles of a real estate deal his oldest daughter, Ethel (Helen Walker)is working on,almost wrecks her romance with Captain Tom Drayson (James Brown), and gets involved in a game with a pool shark in an effort to raise the remaining $75 of the $6,750 needed (that they didn't have) by the Wakefield Lodge to host the national convention of the Noblest Romans.
14.
My Heart Belongs to Daddy (1942) as Art Director
15.
The Glass Key (1942) as Art Director
A hired gun and his gangster boss fall out over a woman.
16.
Henry and Dizzy (1942) as Art Director
17.
Street of Chance (1942) as Art Director
18.
Night in New Orleans (1942) as Art Director
19.
Fly-by-Night (1942) as Art Director
20.
Sweater Girl (1942) as Art Director
21.
Priorities on Parade (1942) as Art Director
22.
Glamour Boy (1941) as Art Director
Marathon Pictures is stuck with Billy Doran (Darryl Hickman), Whiz Quiz radio show star but a flop in Hollywood. Ex-child star Tiny Barlow (Jackie Cooper) suggests that the studio remake "Skippy", the film that made him famous, with himself as coach for little Billy. A. J. Colder (Walter Abel), Marathon's Mighty Mogul, agrees. Joan Winslow (Susanna Foster), a contract player who has never had a part, is picked to replace balky Brenda Lee (Ann Gillis) in Marathon's monster musical of the year. Tiny poses as a big shot and takes credit for getting Joan the role. They are soon seen everywhere together as Tiny is taking advantage of her publicity build-up for his own gain, until he suddenly finds out he is in love with her and confesses his duplicity. This occurs when Colder has forbid Joan to see Tiny anymore, directing her to only be seen with important people who can help her career, and Tiny thinks it is because she has dumped him. He enters into a conspiracy with Brenda's agent, Mickey Fadden (John Gallaudet), to make Brenda give up her strike and accept the role Colder gave Joan. She does and Tiny is given the role of her leading man. But he is unhappy about what he has done in costing Joan her big chance, plus his old friend, Georgie Clemons (Jackie Searle) who used to play the mean kid in Tiny's films is also replaced. Faced with the taunts of the production crew because of what he helped engineer and broken hearted about Joan, Tiny walks out on the picture, climbs into his automobile and heads for parts unknown. Little Billy, who adores him, stows away in the luggage compartment. Billy, the high IQ kid, has devised a scheme to set everything right.
23.
Caught in the Draft (1941) as Art Director
Don Bolton is a movie star who can't stand loud noises. To evade the draft, he decides to get married...but falls for a colonel's daughter. By mistake, he and his two cronies enlist. In basic training, Don hopes to make a good impression on the fair Antoinette and her father, but his military career is largely slapstick. Will he ever get his corporal's stripes?
24.
Among the Living (1941) as Art Director
Paul Raden (Albert Dekker), hopelessly insane son of Maxim Raden, hated owner of the Radentown mills, is in a strait jacket in a secret room in the family mansion, while the body of his father is lowered into a grave. Twenty-five years earlier, the brutal father had hurled Paul against a wall when the young boy had tried to defend his mother and, with his brain injured forever, Paul's last memory, before descending into the shadows on insanity, was his mother's agonized scream. At the graveside are Dr. Ben Saunders (Harry Carey), Paul's twin brother John (Albert Dekker) and John's wife Elaine (Frances Farmer.) Pompey (Ernest Whitman), the family servant who has cared for and guarded Paul and kept the family secret for a quarter of a century,watches from afar. That night Dr. Saunders tells John that his twin, who he thought dead, is alive as the father, refusing to commit him to an institution, had bribed the doctor to sign a false death certificate and then bury another child's body as Paul. John and the doctor visit Radenhouse and find Pompey strangled and Paul vanished. While they search frantically for Paul, the latter revels in his freedom and falls in love with the first girl he meets, Milly Pickens (Susan Hayward), an unemployed mill worker. He wanders into a honky-tonk filled with dancing jitterbugs (Patti Lacey, Roy Lester, Ray Hirsch and Jane Allen), where a pretty blonde, Peggy Nolan (Jean Phillips), flirts with him. Her body is found the next morning near the closed-down Raden Mills. Terrorized by the second murder and the thought that a homicidal maniac is on the loose, the town goes mad with fear and greed when Dr. Saunders tricks John into offering a $5,000 reward for the killer. Milly purchases a revolver and persuades Paul, whose demented mind has forgotten the murders, to accompany her to Radenhouse on her hunch that the murderer is hiding there.
25.
Night of January 16th (1941) as Art Director
The story revoles around three people; Tycoon Bjorn Faulkner (Nils Asther), who is being called upon by his board of directors to explain a missing $20,000,000; Kit Lane (Ellen Drew), his secretary who also has a personal interest; and Steve Van Ruyle (Robert Preston), a sailor who has inherited a position on Faulkner's board of directors. Faulkner is (presumably) murdered, and Kit is falsely accused of the murder. Steve assumes the job of clearing her name.
26.
West Point Widow (1941) as Art Director
27.
Buy Me That Town (1941) as Art Director
With the gang business washed up, Ricky Dean (Lloyd Nolan), suave first lieutenant to racketeer Chink Moran (Sheldon Leonard), and Louie Lanzer (Albert Dekker), a has-been fighter with itchy fingers, decide to take a peaceful vacation in the country. They are followed by three hard-boiled characters, Fingers (Horace MacMahon), Ziggy (Edward Brophy) and Crusher (Warren Hymer). Ricky, thinking they are to be rubbed out for deserting Chink, who has been drafted into the Army, stops his car and confronts them. But they merely want to ask Ricky to be their new boss. He declines but promises to call them sometime if the need arises. They are speeding through a Connecticut village and are stopped by yokel Constable Sam Smedley (Olin Howlin as Olin Howland). Judge Paradise (Richard Carle), with his daughter Virginia (Constance Moore) as court clerk, fines them $5.00 each, plus $37 costs - or 30 days in jail. They, while waiting to hear from Jimmy's lawyer, are taken to the cells and are amazed to find the tumbledown jail wide open, with prisoners walking in and out. The door won't lock. The judge explains to Jimmy that Middle Village is unincorporated and broke, its sole income being traffic fines. The town's bonds, for everything from the houses to the village pump, are owned in New York. He also adds that anyone in jail in an unincorporated village is safe from the outside law - Federal,State and City. Ricky, fine paid, hustles back to New York and buys the town bonds for $40,000. Back in Middle Village, Ricky starts the ball rolling;he retains Judge Paradise, sends for Fingers, Ziggy and Crusher, and renovates the jail into a luxurious club. His lawyer then starts a stream of "customers on the lam" who pay $1000 a week for the comfort and protection of the Middle Village Jail. New fire chief Crusher, police chief Ziggy and the others board with Henrietta (Barbara Jo Allen), a maiden lady with aspirations of becoming a gun moll. She also startles them with her collection of wanted posters, their pictures among them. Louie and Henrietta fall for each other. Virginia, in love with Ricky, tries to talk him into doing big things for the town, such as reopening its one-and-only factory. Ricky agrees when the Army offers a defense contract for shell casings. Meanwhile, Chink has gotten out of the Army and buys Louie's half interest in Middle Village. He tells the "boys" they are suckers for letting Ricky spend the jail "take" on civic improvements and he plans to wreck the factory deal.
28.
The Monster and the Girl (1941) as Art Director
A wrongly executed man seeks revenge on the mobsters who framed him after his brain is placed into the body of an ape.
29.
You're the One (1941) as Art Director
30.
The Quarterback (1940) as Art Director
31.
Dancing on a Dime (1940) as Art Director
32.
Moon over Burma (1940) as Art Director
33.
Barricade (1939) as Art Director
34.
Boy Friend (1939) as Art Director
A cop pretends to be a crook in order to catch a gang of outlaws. The bad guys run a night club as a front. The cop's sister helps him by singing there; otherwise, she's busy making love to a military cadet.
35.
Charlie Chan in Honolulu (1939) as Art Director
The Asian detective discovers a murder on a ship bound for Hawaii.
36.
Chasing Danger (1939) as Art Director
When American newsreel cameraman (Foster) stationed in Paris is sent to cover an Arab rebellion he finds a financier presumed dead but actually fomenting desert warfare.
37.
Pardon Our Nerve (1939) as Art Director
38.
Mr. Moto Takes a Vacation (1939) as Art Director
Mr. Moto is after a robber who takes the royal jewels from the Tower of London. He is aided by an archaeologist who is looking for Cleopatra's crown in Egypt.
39.
Winner Take All (1939) as Art Director
When a waiter (Martin) makes a lucky hit and wins a benefit prizefight, gamblers rig some fights for him; but a reporter (Stuart) arranges for a real boxer (Richmond) to put him in his place.
40.
The Escape (1939) as Art Director
An embittered Louie Peronni (Edward Norris) returns from prison to find that his sister, Juli Peronni (Amanda Duff), is engaged to policeman Eddie Farrell (Kane Richmond), and also finds that his secret wife Annie Qualen (June Gale) has placed their baby girl in a foundling home. With his old gang again, Louie plans a robbery of a fur warehouse. Louie shoots down the night watchman and is trailed home where his father Guiseppe Peronni (Henry Armetta) persuades him not to fight it out with the police. Determined to let Louie take the full rap, the gang kidnaps the district attorney's daughter. Annie informs Louie that the kidnapped child is really their own and was adopted from the foundling home.
41.
Rascals (1938) as Art Director
A Gypsy band takes lots of stuff but always in a good cause. Led by Jane Withers, they pick up a socialite (Hundson) who has amnesia. She works as a fortune teller and raises enough money for an operation to regain her memory.
42.
A Trip to Paris (1938) as Art Director
43.
Change of Heart (1938) as Art Director
44.
Meet the Girls (1938) as Art Director
45.
Charlie Chan at Monte Carlo (1938) as Art dir assoc
Chan is on a gambling vacation in Monaco. He is called upon to solve two murders. One is a casino messenger on his way to Paris with a million dollars in bonds. The other is a two-bit Chicago gangster recently tending bar in a Monte Carlo hotel. Everyone is suspect and a third of the dialogue is in French.
46.
Sharpshooters (1938) as Art Director
47.
One Wild Night (1938) as Art Director
48.
Passport Husband (1938) as Art Director
49.
Mr. Moto's Gamble (1938) as Art Director
Mr. Moto must discover who poisoned a fighter in the boxing ring. This movie began as "Charlie Chan at the Ringside," but Warner Oland died during the filming so it was switched to a Mr. Moto.
50.
Wake Up and Live (1937) as Art dir assoc
51.
On the Avenue (1937) as Mus settings assoc
A new Broadway show starring Gary Blake shamelessly lampoons the rich Carraway family. To get her own back, daughter Mimi sets out to ensnare Blake, but the courtship is soon for real, to the annoyance of his co-star, hoofing chanteuese Mona Merrick.

Art Department (feature film)

52.
The Negro Soldier (1944) as Church set des by
Documentary cameras capture the contributions of African-American soldiers during World War II.

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