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Overview for Carl Guthrie
Carl Guthrie

Carl Guthrie



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Birth Place: Profession: Cinematography ...


Cinematography (feature film)

The Lively Set (1964) as Director of Photography
Casey Owens (James Darren), a young mechanic, has developed a design for a turbine car engine, paving the way for a jet-powered auto certain to set a new land speed record. Wealthy playboy Stanford Rogers (Peter Mann) hires Casey to build the car for him to race in the Tri-State Endurance Run. Chuck Manning (Doug McClure), an engineering student Casey met in a drag race, discovers potential flaws in the car's design. After an unsuccessful test run, Rogers abandons the turbine-powered car for a traditional racing model, but Casey and Chuck rework the turbine vehicle to compete with Rogers in the endurance run. Pamela Tiffin plays Eadie, Chuck's sister who becomes Casey's love interest.
Ready for the People (1964) as Director of Photography
4 for Texas (1963) as 2nd unit photog
Double-crossing outlaws go straight and become rival saloon owners.
Sergeants 3 (1962) as 2nd unit photog
Three adventurous Cavalry officers and their bugler take on a renegade chief.
King of the Roaring 20's--The Story of Arnold Rothstein (1961) as Director of Photography
A gangster rises to the top of the gambling racket.
The George Raft Story (1961) as Director of Photography
A fictionalized movie biography of former top Hollywood film star George Raft.
X-15 (1961) as Director of Photography
An examination of the lives of X-15 rocket-plane test pilots, who put themselves in danger on every test run.
Dondi (1961) as Director of Photography
World War II GIs adopt an Italian war orphan.
Everything's Ducky (1961) as Director of Photography
Two sailors think they''''ve struck it rich when they find a talking duck.
Twenty Plus Two (1961) as Director of Photography
When a Hollywood secretary is found murdered, a detective is hired to investigate the murder.
College Confidential (1960) as Director of Photography
A professor''''s study of student lives and values erupts into scandal.
Up Periscope (1959) as Director of Photography
A U.S. frogman infiltrates a Japanese-held island during World War II.
Date with Death (1959) as Director of Photography
Battle Flame (1959) as Director of Photography
The Gunfight at Dodge City (1959) as Director of Photography
Bat Masterson fights to clean up Dodge City.
Roadracers (1959) as Director of Photography
King of the Wild Stallions (1959) as Director of Photography
A young widow and her son on an isolated ranch find themselves being protected by a wild stallion.
Yellowstone Kelly (1959) as Director of Photography
A trapper gets caught between his young assistant and a beautiful Arapaho woman.
Joy Ride (1958) as Director of Photography
Paul (Rad Fulton) and three other punks, Arnie (Nicholas King), Vince (Robert Levin) and Dirk (Jim Bridges), are admiring a parked sports car and intending to take it for a joy ride, when they are surprised by its owner, Miles (Regis Toomey) who orders them away and is met with a barrage of fifthy names. A few nights later they break into Miles' garage and he catches them and threatens to call the police. Paul tells him they want the car for a ride and they will have it sooner or later. The young hoods then launch a campaign of terror against Miles and his wife (Ann Doran). Paul realizes he has more pleasure in frightening Miles than in trying to get the car, and one day they force their way into the Miles home and brutally attack Mrs. Miles after she refuses to produce the car keys. Now thinking that Miles is in his power, Paul meets him to take delivery of the car. When Paul steps into the car, Miles pulls a gun and orders him to drive out of town at a breakneck speed. The more frightened Paul becomes, the more dangerously Miles makes him drive, until finally, in tears, Paul begs to be allowed to stop his "joy ride." Miles directs him to pull up in front of the police station and Paul's arrest is followed by that of the other three boys.
Violent Road (1958) as Director of Photography
Truck drivers take cargo of explosives over bumpy mountain road.
Summer Love (1958) as Director of Photography
A coed summer resort camp rocks with music and romance when a group of entertainers arrives to kick off the season.
Fort Bowie (1958) as Photography
Cavalrymen have to attack their own fort when it''''s taken by the Apache.
Fort Massacre (1958) as Director of Photography
A possibly mad cavalry commander leads his troops through dangerous Indian territory.
Macabre (1958) as Photography
A doctor's daughter is kidnapped and buried alive, and he is given just five hours to find and rescue her.
House on Haunted Hill (1958) as Director of Photography
A millionaire offers total strangers a fortune to spend the night in a haunted house.
Frankenstein--1970 (1958) as Photography
A descendent of Baron Frankenstein unleashes an undead murderer on the crew filming his forebear''''s story.
The Beast of Budapest (1958) as Director of Photography
Too Much, Too Soon (1958) as Director of Photography
The daughter of an iconic actor reunites with her father after a ten year estrangement.
Shoot-Out at Medicine Bend (1957) as Director of Photography
Army veterans are on a mission to find out who sold faulty ammunition to a cavalry troop.
Death in Small Doses (1957) as Director of Photography
A government agent tries to stop the illegal use of amphetamines by truck drivers.
The Oklahoman (1957) as Director of Photography
A Western doctor stands between Natives and a ruthless oil baron.
Untamed Youth (1957) as Director of Photography
When they''''re put in a small-town jail, two sisters fight to expose prison corruption.
The Tattered Dress (1957) as Director of Photography
After an out-of-town lawyer gets an acquittal for a man who killed another man for sexually roughing up his trophy wife, the vengeful local sheriff frames him for jury tampering.
Quantez (1957) as Director of Photography
Bop Girl Goes Calypso (1957) as Photography
A psychiatrist predicts that calypso will replace rock ''''n'''' roll.
Hell Bound (1957) as Photography
A criminal gang plots the robbery of a ship carrying $2 million worth of surplus narcotics left over from World War II. The plan goes awry when the gang leader's girlfriend falls for an ambulance attendant who is an unsuspecting pawn in the scheme.
The Girl in the Kremlin (1957) as Director of Photography
The Dalton Girls (1957) as Photography
Lady Godiva of Coventry (1955) as Director of Photography
In 11th-century England, King Edward the Confessor wants saxon Lord Leofric to marry a despised Norman woman, and has him jailed when he refuses. In jail, he meets Godiva, the sheriff's daughter, and soon they are wed. The times are turbulent and Godiva proves a militant bride; unhistorically, unrest between the Anglo-Saxon populace and the increasingly influential Norman French lead to her famous ride.
Francis in the Navy (1955) as Director of Photography
Long John Silver (1955) as Director of Photography
After the Treasure Island adventure, Long John Silver turns up on a British Caribbean island, where he hears that rival pirate Mendoza has taken the ship carrying the governor's daughter...and his young friend Jim Hawkins. Naturally, there's more to his rescue plan than meets the eye; he hopes to get a new ship and go back for more treasure...
Kiss of Fire (1955) as Director of Photography
In 1700, news that the king of Spain is dying comes to the Spanish outpost in Santa Fe, New Mexico. For some reason, lovely Princess Lucia, the preferred heir, is in this remote location. To get her back to Europe without running afoul of the Viceroy of Mexico (who backs another heir) will require a guide friendly with the Indians: outlaw El Tigre, whom the princess (initially) despises. The highly hazardous journey is made more so by presence of turncoats in the group...
Jail Busters (1955) as Director of Photography
The Bowery Boys help a reporter who was beaten up during an undercover investigation at a local prison.
Yankee Pasha (1954) as Director of Photography
Salem, Massachusetts, 1800. Mountaineer Jason Starbuck rides into town with furs to sell and dreams to fulfill. He falls in love with Roxana, who breaks her previous engagement and leaves for France to await Jason. Roxana's ship is attacked by pirates and she is sold into slavery in Morocco. Jason follows her to Morocco and must win the support of the sultan in order to continue his efforts to locate and rescue her.
Dawn at Socorro (1954) as Director of Photography
A gunfighter mends his ways to help save an innocent young girl.
Johnny Dark (1954) as Director of Photography
Automobile engineer, Johnny Dark (Tony Curtis), designs a radical new car. When the owner refuses to sponsor the car in a Canada to Mexico Sports-car race, Johnny, with the aid of the owner's grand-daughter (Piper Laurie), steals the car and runs the race against the favored driver, his ex-buddie.
Ma and Pa Kettle at Home (1954) as Director of Photography
The Ozark farmers try to clean up their act to help their son win a college scholarship.
Playgirl (1954) as Director of Photography
Nightclub singer Fran Davis (Shelley Winters) is out to educate her out-of-town friend Phyllis Matthews (Coleen Miller)on the ins-and-outs of life in the Big City. But, par for the course in this Joseph Pevney potboiler, publisher Mike Marsh (Barry Sullivan), Fran's lover and unhappy married man to begin with, falls in love with Phyllis. There is a misunderstanding of the situation by the two girls. The girls quarrel, Marsh is shot, Fran hits the skids and she and Phyllis, to say the least, are on the outs. Then Fran learns that Phyllis is about to be used unwittingly as a decoy in a murder. Fran rides to her friend's rescue.
The Jazz Singer (1953) as Director of Photography
A cantor's son goes against family tradition to become a popular singer.
Private Eyes (1953) as Photography
The Bowery Boys open a detective agency when one of them develops mind-reading talents.
Three Sailors and a Girl (1953) as Director of Photography
Three sailors on leave back a Broadway hit.
Hot News (1953) as Photography
All I Desire (1953) as Director of Photography
A stage star returns to the small-town family she deserted.
Girls in the Night (1953) as Director of Photography
Francis Covers the Big Town (1953) as Director of Photography
The Raiders (1952) as Director of Photography
Finders Keepers (1952) as Director of Photography
Bonzo Goes to College (1952) as Director of Photography
In this fantasy-toned sequel, former lab chimp Bonzo, now literate (!), runs away from a carnival sideshow and hops a banana truck. He lands in college town Pawlton and is adopted by the granddaughter of football coach 'Pop' Drew, who sorely needs good players. Obvious but pleasant slapstick follows.
Francis Goes to West Point (1952) as Director of Photography
Peter Sterling (Donald O'Conner) is working at a government plant. His friend Francis (the talking mule) tells him the plant is going to be bombed. Peter passes the information to the plant manager. The bombers are caught and the plant is saved. Because of his help in saving the plant, Peter is sent to West Point. After his arrival, he finds out that Francis is there as one of the mascots. As usual, Peter gets himself in trouble by telling the commander that Francis can talk.
Storm Warning (1951) as Director of Photography
A model on vacation discovers that her sister's husband is a murderous Ku Klux Klansman.
Tomorrow Is Another Day (1951) as Fill-in dir of photog
A man who spent his formative years in prison for murder is released and struggles to adjust to the outside world.
Iron Man (1951) as Director of Photography
In Coaltown, Pennsylvania, miner Coke Mason hopes to better himself, buy a radio store, and marry Rose Warren. His gambler brother George thinks Coke can be more successful as a boxer, knowing that when he fights he's consumed with a murderous rage that makes him an "iron man." Seeing dollar signs in Rose's eyes, Coke reluctantly agrees, though he's fearful of the "killer instinct" that makes him a knockout success in the ring...and brings him the booing hatred of the fans. Will Coke throw off his personal demon before he kills someone?
Hollywood Story (1951) as Director of Photography
Hollywood 1950: The successful producer Larry O'Brian arrives in Los Angeles to found a motion picture company. He buys an old studio which was unused since the days of silent movies. He's shown the office where the famous director Franklin Farrara was shot. The case hasn't been solved until now, although there were many suspects. O'Brian becomes fascinated by the subject and wants to shoot a movie about it. He investigates himself and soon gets into danger himself.
Bedtime For Bonzo (1951) as Director of Photography
A college professor tries to raise a chimpanzee as though it were human.
Caged (1950) as Director of Photography
A young innocent fights to survive the harsh life in a women's prison.
Undercover Girl (1950) as Director of Photography
Highway 301 (1950) as Director of Photography
A brutal bank robber fights internal divisions within his gang.
Backfire (1950) as Director of Photography
A veteran tries to clear an old friend of a murder charge.
This Side of the Law (1950) as Director of Photography
An unscrupulous lawyer hires a vagrant to impersonate a missing millionaire.
Barricade (1950) as Director of Photography
Two fugitives try to prove the head of a mining camp is a murderer.
One Last Fling (1949) as Director of Photography
A jealous wife decides working for her husband is the best way to keep tabs on him.
Flaxy Martin (1949) as Director of Photography
Messing with a mobster's girlfriend gets a lawyer framed for murder.
The Girl from Jones Beach (1949) as Director of Photography
An artist discovers a real-life version of the perfect woman he's been drawing for years.
Always Together (1948) as Director of Photography
A dying millionaire gives his fortune to a working girl, then recovers and tries to get it back.
The Big Punch (1948) as Director of Photography
Gangsters frame a boxer for murder when he refuses to throw a fight.
Embraceable You (1948) as Director of Photography
When he accidentally injures a young girl, a gangster risks his freedom to nurse her.
April Showers (1948) as Director of Photography
A family vaudeville act is torn apart by the father's drinking problem.
The Woman in White (1948) as Director of Photography
Classic mystery about the adventures of a young tutor sent to a ghostly country estate.
Cry Wolf (1947) as Director of Photography
A woman uncovers deadly secrets when she visits her late husband's family.
Janie Gets Married (1946) as Director of Photography
A war bride helps her husband adjust to civilian life.
Her Kind of Man (1946) as Director of Photography
A singer can''''t choose between a charismatic gangster and an honest newspaperman.
Hotel Berlin (1945) as Director of Photography
During World War II''''s final days, people with a variety of problems converge on a Berlin hotel.
Too Young to Know (1945) as Director of Photography
A returning GI searches for the wife who left him and gave away their son.
Christmas in Connecticut (1945) as Director of Photography
A homemaking specialist who can't boil water is forced to provide a family holiday for a war hero.
In Our Time (1944) as Director of Photography
A Polish count and his English wife battle Nazi invaders.
Between Two Worlds (1944) as Director of Photography
Passengers on a luxury liner realize they are en route to the afterlife.
Janie (1944) as Director of Photography
A small-town girl defies her father by falling for a soldier.
Navy Blues (1941) as Assistant Camera
Honolulu days are far from peaceful for a boatload of amorous sailors.
Juarez (1939) as 2nd Camera
True story of Mexico's Abraham Lincoln and his fight against Napoleon's empire.
The Dawn Patrol (1938) as 2nd Camera
A flight commander in France almost cracks under the pressure of sending men to their deaths.
Anthony Adverse (1936) as 2nd Camera
An orphan runs off to a life of adventure, then returns to France in search of the girl he left behind.
Oil for the Lamps of China (1935) as Camera Operator
An American oil company representative almost sacrifices his marriage for his career.
Here Comes the Navy (1934) as Camera Operator
A cocky naval cadet clashes with an old friend serving with him.
The Narrow Corner (1933) as Assistant Camera
A man on the run for murder tries to escape fate in the Pacific islands.
Ever in My Heart (1933) as Assistant Camera
During World War I, a woman suspects her husband of being a German spy.
Deluge (1933) as Assistant Camera
Voltaire (1933) as Assistant Camera
The famed French writer becomes the conscience of his country during the French Revolution.
Tiger Shark (1932) as Assistant Camera
A tuna fisherman marries a woman in love with another man.
USC vs. Tulane (1932) as 2nd Camera
The story of a beautiful and emotionally/psychologically distraught young woman whose unique perspective (literally, through the lens of a camera) results in suffering and despair. The heroes are Jiney and sexy lesbian roommate-best-friend Jas. Jiney and Jas are casual photographers, but Jiney is t

Cinematography (short)

Desi Arnaz and His Orchestra (1946)
The multi-talented Desi Arnaz displays his love of music in this short film, performing such popular musical selections as "Easy Street" and "Tabu." Vitaphone Release 1465A.

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