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Brief Synopsis
In Ispahan, Persia, Hajji Baba (John Derek) is leaving his father's shop to seek a greater fortune, while the Princess Fawzia (Elaine Stewart) is trying to talk her father, the Caliph (Donald Randolph) into giving her in marriage to Nur-El-Din (Paul Picerni), a rival prince known far and wide as mean and fickle. Her father intends Fawzia for Fawzia to marry a friend and ally, and makes plans to send her to him. But a courier brings word from Nur-El-Din that an escort awaits Fawzia on the outskirts of the city and she escapes the palace disguised as a boy. Hajji encounters the escort-warrior (Paul Baxley) at the rendezvous spot, is attacked and beats up the escort with his barber's tools. The princess arrives and mistakes Hajji as the escort until he mistakes the emerald ring sent by Nur-El-Din to Fawzia as the prize to be delivered. In her efforts to escape him, her turban becomes unbound and Hajji realizes that the girl herself is the treasure Nur-El-Din awaits. Hajji promises to escort her and they spend the night with the caravan of Osman Aga (Thomas Gomez), who invites them to stay for the dancing girls, among them, the incomparable Ayesha (Rosemarie Bowe). The pair are overtaken by the Caliph's guards sent to bring Fawzia back, but the guards are driven off by an invading army of Turcoman women, a band of fierce and beautiful women who prey on passing merchants.
In ancient Persia, barber Hajji Baba tires of his sedentary life and decides to leave his home town of Ispahan to seek adventure and fortune. Merchant Osman Aga bets another trader that the handsome Hajji will become a success within six months, while in the palace, Princess Fawzia greets her father, the caliph of Ispahan. The caliph is infuriated by his headstrong daughter's insistence on marrying Prince Nur-El-Din, who has a reputation as a cruel womanizer. When her father informs her that she will instead marry his ally in Basra, Fawzia disguises herself as a boy and slips out of the palace to a nearby stream, where she is to meet one of Nur-El-Din's warriors. Unknown to the princess, Hajji, passing by and intrigued by the warrior's warning that he is there to pick up a valuable treasure, has bested the warrior in a fight and taken the prince's seal. Assuming that Nur-El-Din has sent a warrior disguised as a barber to accompany her to his home in Meshed, Fawzia asserts that her emerald ring is the treasure the prince is seeking, but when her turban unravels, Hajji realizes who she is and that she is Nur-El-Din's treasure. As her father's soldiers approach, Fawzia offers Hajji the emerald to take her to Meshed. The couple gallop off through the desert, and when they stop to rest, Hajji, more interested in escaping the caliph than in romance, resists the curious princess' attempt to kiss him. The couple then overtake Osman's caravan, and Hajji introduces Fawzia, again dressed as a boy, as his apprentice. Osman intends to sell goods at the wedding of Fawzia and Nur-El-Din, and shows Hajji a beautiful slave girl, the dancer Ayesha, whom he hopes will interest the fickle prince. Fawzia grows jealous of Hajji's delight in Ayesha and is angered to hear the men gossiping that the princess is spoiled and tempermental. Later that night, Nur-El-Din's warrior, who has followed Hajji, fights with him to regain the princess, but during their struggle, she is apprehended by one of her father's men. Hajji temporarily rescues Fawzia and squabbles with her again about love, but they are captured by the caliph's soldiers and marched through the great pass on the way to Basra. Occupying the pass, however, are the legendary Turcoman warriors, former harem slaves who have escaped and become thieves. The women capture both the soldiers and Osman's caravan, and the women's leader, the strong-willed Banah, decides to keep Hajji as her consort. Later, Fawzia's identity is revealed, and Fabria, one of Banah's compatriots and Fawzia's former slave, repays her ex-mistress' cruelties by tying her arms to a pole and hoisting her into the air. That night, Hajji sneaks out of Banah's tent to rescue Fawzia, but they are caught and strung up to die together. A group of the women are then attacked by Nur-El-Din's men, and Banah leads her troops to avenge them. Left alone, Fawzia apologizes to Hajji for her selfish behavior, and the couple declare their love for each other. In the desert, the Turcomans are captured by Nur-El-Din, and when he sees Banah wearing Fawzia's emerald ring, he demands to know where she got it. Ayesha, hoping to earn the prince's favor, tells him that Fawzia is at the Turcoman camp, and Nur-El-Din's men rescue her and Hajji. When they are brought before Nur-El-Din, Fawzia prompts Hajji to tell him that they are in love, but after Hajji sees the jealous prince execute a man who stole one of his harem girls, he states that he was merely bringing Fawzia to him in exchange for the emerald. Crushed, Fawzia goes with Nur-El-Din, who sends two of his men back to execute Hajji and retrieve the gem. Hajji kills the men, and before sending their corpses to Nur-El-Din's camp, shaves their heads as a message to Fawzia that he is still true to her. Back in Ispahan, Osman praises Hajji's new status as a wealthy merchant, due to the sale of the emerald, but Hajji admits that he is unhappy because he does not have Fawzia. In the desert, Fawzia interrupts a romantic encounter between Nur-El-Din and Ayesha and declares that she will not marry the prince. Angered, Nur-El-Din reveals that he needs control of Ispahan to succeed in his plan to conquer Persia. In the city, the caliph sends for Hajji and reveals that Fawzia has informed him of Nur-El-Din's plans. Knowing that Hajji loves Fawzia, the caliph begs him to save her and states that sometimes one man can do what an army cannot. The determined Hajji then travels with Osman's caravan to Nur-El-Din's camp, where, disguised as a holy man, he approaches Ayesha. Telling the dancer that if Fawzia is gone she will be able to become Nur-El-Din's bride, Hajji persuades her to slip the guards some drugged wine. Meanwhile, Fawzia has snuck away and, dressed as Hajji's apprentice, asks Osman to take her to Ispahan. Osman reunites Fawzia with Hajji, who tells her of his plan to free the Turcomans in order to distract Nur-El-Din from her escape. After Ayesha gives the guards the wine, the women are freed and begin to battle Nur-El-Din's men. The prince notices that Fawzia is missing, however, and pursues her and Hajji. Hajji defeats his enemy with a thrust of his sword, and soon the triumphant Banah wishes them well. Later, after Hajji and Fawzia have married, Osman collects his wager about Hajji's success, and the new prince retires to his bed chamber with his princess.
Cast & Crew
Additional Details
MPAA Ratings: | Premiere Info: | Los Angeles opening: 7 Oct 1954; New York opening: 8 Oct 1954 | |
Release Date: | 1954 | Production Date: |
[CinemaScope] AFI |
Color/B&W: | Color (DeLuxe) | Distributions Co: | Twentieth Century-Fox Film Corp. |
Sound: | Mono | Production Co: | Allied Artists Pictures Corp. |
Duration(mins): | 92-93 | Country: | United States |
Duration(feet): | not available | ||
Duration(reels): | 11 | ||
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Where is the DVD????
Barbara 2017-03-11
I can almost repeat word for word of previous reviews as to where is the DVD? I saw this movie as a very young girl and thought it to be very romantic.... MORE>
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the adventures of Hajji Baba
L.Cook 2013-08-19
I saw this movie when I was a young girl years ago, and fell in love with John Derek. I never saw it again, Please please can't you put it on one of... MORE>
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The adventures of Hajji Baba
chantili 2010-04-12
It's a lovely movie. MORE>